Anglo-German relations were good in the 19th century up until the Boer war, and have been tense ever since. In this talk, historian, Tom Rowsell , explains the deep roots the two nations share in common; the Anglo-Saxons, the Celts, the Bell Beaker folk, The Single Grave Culture and the network of Bronze Age cultures in Northern Europe who traded with each other and shared mutual descent from the Corded Ware culture. The talk was delivered to students in Hamburg in February 2026.
Monday, 9 March 2026
Wednesday, 2 July 2025
The Greatest Living Bronze Sword Smith
Thursday, 27 March 2025
Monday, 20 January 2025
Ancient Germanic Swastika: Documentary
I have collected tons of archaeological to support my theory of what the fylfot really means. I hope you will agree with my conclusion and that you will find these artefacts and charming and intriguing as I do.
The swastika was used by ancient Germanic peoples such as the Goths, Anglo-Saxons and Vikings. But what did it mean? Some say it was a symbol of the sun, some think it was borrowed from the Romans. In this video I explain how the swastika aka fylfot was actually connected to the cult of the god Wotan aka Odin.
Sources
- Behrens, F. 2023. Der Tierstil II im Merowingerreich. Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110981247
- Behr, C., ‘Die Beizeichen auf den völkerwanderungszeitlichen Goldbrakteaten.’ Frankfurt a. M. [u.a.] (1991)
- Burillo-Cuadrado, Ma & Burillo, Francisco. (2014). The swastika as representation of the sun of helios and mithras. Mediterranean Archaeology and Archaeometry. 14. 29-36.
- Carus. P., “FYLFOT AND SWASTIKA” in The Open court (1887)
- Cheesman. C., THE HERALDS’ SWASTIKA (2019)
- Godfrey-Faussett, T.G., ‘The Saxon cemetery at Bifrons’ (Kent Archaeology 1876)
- Haseloff, Eine ‘jütländische Fibelgruppe und ihre Verwandten’ in “Die germanische Tierornamentik der Völkerwanderungszeit” 1981
- Hauck. K., Die Goldbrakteaten der Völkerwanderungszeit (1985) -Helm. R., ‘Germanischer Schmuck’ (1957) -MacLeod and Mees 'Runic Amulets and Magic Objects' (2006)
- Pennick. N., ‘Woden’s Swastika’ in Journal of Geomancy vol. 3 no. 4, July 1979
- Sansoni, U., ‘Alpine and Scandinavian rock art in the Bronze Age, a common cultural matrix in a web of continental influences’ In Picturing Bronze Age ( Swedish Rock Art Series: volume 3 2015)
- Renner-Volbach, D., ‘Die durchbrochenen Zierscheiben der Merowingerzeit’ Dorothee Renner. Rom.-German. Zentralmuseum zu Mainz, (1970)
- Toreld. A., Andersson. T., hallristning Field report (2012)
- Theune-Grosskopf, B., & Nedoma, R. (2008). Chairs in graves of the Migration and Merovingian period mirrored by a new find with rune inscription from Trossingen, Lkr. Tuttlingen. Archaologisches Korrespondenzblatt. 38. 423-436.
Friday, 26 April 2024
NEW DNA Genetic Origin of the Indo-Europeans: Yamnaya/Sredny Stog
Friday, 19 January 2024
Celtic, Germanic and Scythian: Torcs
Saturday, 23 December 2023
Pagan Iconography on Bracteates with Dr Scott Shell
Scott Shell received his Ph.D. in Germanic Linguistics from the University of California at Berkeley. The emphasis of his study has been on historical linguistics, runology and mythology. He runs a YouTube channel called @Scott T. Shell (Continental Germanic Heathenry) which focuses on the pagan religion of the Old Saxons. Tonight he will discuss the iconography and runic inscriptions found on Germanic bracteates of the Migration era.
Thursday, 23 November 2023
Saturday, 19 August 2023
The First Civilisation? Vinča culture with Ben Elliott
The Vinča culture of Serbia is one of the first human civilisations. Possibly the first to smelt copper, one of the earliest uses of a symbolic proto-script and a hyper industrious producer of advanced ceramics including the earliest anthropomorphic life size clay busts. Yet few know of the wonders of this ancient culture. In this episode, I spoke to the historian Ben Elliott who travelled to Serbia to make a film called Quest for Vinca which aims to increase awareness of these fascinating Neolithic people.
Tuesday, 30 May 2023
CARN EUNY: Cornwall’s 2000 year old CELTIC VILLAGE
Cornwall, or Kernow in the Cornish language, was once part of an independent Celtic kingdom called Dumnonia. In this documentary we travel 2000 years back in time to the Celtic iron-age village and roundhouses of Carn Euny. The Iron Age village preserves some of the oldest Celtic architecture, as well as a mysterious passage and chamber called a fogou and a sacred well which has been in constant use since pagan times. We shall also see reconstructed Celtic roundhouses from Butser ancient farm to get an insight into the daily life, culture, religion and economy of the Ancient Britons.
Sources:
Friday, 30 September 2022
The Rise and Fall of Archaeology with Stone Age Herbalist
Follow Stone age Herbalist on Twitter
Sunday, 25 September 2022
Thursday, 22 September 2022
Anglo-Saxon DNA proves the INVASION IS REAL!
Monday, 12 September 2022
Ship of the Sun or Ship of the Dead? Stone Ships
Art
Christopher Steininger - Ship to the otherworld animation
Stella Spente - Freyja in her chariot
Eva Gjerde - Storhaug ship burial
Sources
- Bonde, N & Stylegar, F. A., ‘Between Sutton Hoo and Oseberg – dendrochronology and the origins of the ship burial tradition’, Danish Journal of Archaeology (2016), 5:1-2, 19-33
- Davidson, H.E., The Road to Hel: A Study of the Conception of the Dead in Old Norse Literature, Cambridge University, (1943).
- Elliott, R. N. ‘Håga in context – An analysis of the Håga complex in the Bronze Age landscape of the Mälar Valley region’ (Uppsala: 2020)
- Jackson, E. “Not Simply Lists”: An Eddic Perspective on Short-Item Lists in Old English Poems. Speculum, 73(2), 338–371. (1998)
- Shenk, Peter, To Valhalla by Horseback? Horse Burial in Scandinavia during the Viking Age, (Oslo: The Centre for Viking and Medieval Studies, University of Oslo, 2002).
- Skoglund, P., ‘Stone ships: continuity and change in Scandinavian prehistory, World Archaeology, 40:3, 390-406, (2008)
- Rowsell, T., “Riding to the Afterlife:The Role of Horses in Early Medieval North-Western Europe,” MA Thesis, University College of London, (2012).
- Rowsell, T., "Religious Continuity in Northern European Boat Burial Practices of the Vendel Period" Research proposal, (2015)
- Vikinge skibs museet website
MUSIC:
Thursday, 28 October 2021
New Genetic Study on Tarim Mummies of China
New genetic data on Tarim mummies disproves my claim that early Tarim mummies were Iranic. It also shows the likely origin of Tocharian languages is in the Dzungarian Basin just north of Tarim rather than Tarim itself. Tarim mummies date from 2000 BC to AD 200 yet this sample only looks at the very oldest of those. Even older samples (3000–2800 BC) in the new study are from the Dzungarian Basin and these samples appear to be Afanasievo derived and therefore are likely the source of Tocharian languages, and if so then the language moved South into Tarim from them, but the early mummies from Tarim itself, at least the 13 in this study which date from 2100–1700 BC, do NOT appear to be Tocharians or even, as I speculated in my video las year, Iranic speaking Aryans, rather an isolated refugia of ice-age like people predominantly descended from Ancient North Eurasians and West Siberian Hunter-Gatherers (WSHG themselves were 72.5% ANE, 7.5% West European Hunter-Gatherer, and 20% Ancient East Asian).
We can't say what language these Siberian mammoth hunters turned lizard-eaters of Tarim spoke (not an Indo-European one though), although we know the genes associated with Tocharian and Iranic speakers both entered the Tarim basin region later on. Interesting that the mummies appear to be European in phenotype despite not descending from Indo-European bronze age steppe peoples who are autosomally like modern Europeans. As the paper says:
“The Tarim mummies’ so-called Western physical features are probably due to their connection to the Pleistocene ANE gene pool,”
So they look physically European because they have ANE DNA. This also answers the question of why some Ainu people from Japan, and some ancient native American skeletons like Kennewick man, look like Europeans; They all have ANE DNA and ANE were obviously Europoid.
This also explains why the material culture of early Tarim people resembles that of Siberian peoples. Take the idols for example:
You find faces similar to this everywhere you find WSHG/ANE ancestry in Siberia and Central Asia. The Mansi, Kalash and Ket all make figurines in similar trends to this day.
It is important to remember that these new samples from Tarim represent only the first 400 years of that burial tradition which lasted a further 1900 years! Without samples from those following long 19 centuries we cannot say for sure when the WSHG people disappeared but I highly suspect that later Tarim mummies like Cherchen man (see below), who died c. 1000 BC, in all probability do have steppe admixture and could well be Iranic or Tocharian speakers.
![]() |
| Chercen man depicted by Andrew Whyte |
Tocharian and Iranic speakers of steppe descent entered the Tarim basin from different routes at different times, but the original inhabitants were these ANE descended Siberian people and they mixed with the incoming Indo-Europeans. So I still think that Cherchen man and the Yanghai cannabis shaman were both Indo-European people.
So what do we know about the people of this Siberian ANE-rich refugia?
Their race underwent a bottleneck and formed over 9000 years ago
They were homogenous population scattered in the Tarim desert, rarely mixing with neighbours
They adopted pastoralist lifestyle from neighbouring steppe peoples
They consumed dairy products like kefir but were lactose intolerant
They farmed animals - likely due to Afanasievo influence
They were not European but they looked European due to ANE ancestry
They had genes associated with dark skin in SLC24A5 and SLC45A5 like East asians do
We don’t know what language they originally spoke
They likely adopted Tocharian and Iranic languages after mixing with their Afanasievo neighbours of the Dzungarian basin to the North who were related to Yamnaya, and Andronovo neighbours to the West who were Aryans. This occurred sometime after 1700 BC
They buried their dead with ephedra twigs like later BMAC and Iranic cultures did
They made idols similar to those made by other Siberian peoples
Friday, 8 January 2021
Saturday, 2 January 2021
The Royal Indo-European Horse Sacrifice
Sources:
Dumézil, G. 1970. ‘Archaic Roman Religion. Volume One.’ The John Hopkins University Press. Baltimore and London. Eliade, M. 1993. ‘Patterns in Comparative Religion.’ Sheed and Ward. New York. Eliade, M., ed., ‘Encyclopedia of Religion’ (NY: Collier Macmillan, 1987), VI:463; Kaliff, A., & Oestigaard, T., ‘The Great Indo-European Horse Sacrifice: 4000 Years of Cosmological Continuity from Sintashta and the Steppe to Scandinavian Skeid’ (2020) Outram, A., et al. ‘Horses for the dead: funerary foodways in Bronze Age Kazakhstan’ - (March 2011) Puhvel, J., ‘Comparative Mythology’ 1987 Rowsell, T., Riding To The Afterlife: The Role Of Horses In Early Medieval North-Western Europe. (2012) Sikora, M., ‘Diversity in Viking Age horse burial’ in The Journal of Irish Archaeology(Belfast: 2003-4). P.87. Solheim, S. 1956. Horse-fight and horse-race in Norse tradition. Studia Norvegica No. 8. H. Aschehoug & Co. (W. Nyaard). Oslo. Veil, Stephan & Breest, Klaus & Grootes, P. & Nadeau, Marie-Josée & Huels, Matthias. (2012). A 14 000-year-old amber elk and the origins of northern European art. Antiquity. 86. 660-673.Sunday, 13 September 2020
Pagan Viking Travel Guide to Sweden / History documentary
In this film, i take you on a trip around Sweden's places of power; sacred spaces remaining from the bronze age, iron age and viking times. I travel through central Sweden to show you some of the most fascinating and mysterious archaeological religious sites and, through them, help you to understand a bit more about the ancient religion of the Norse peoples and where you can go in Sweden to see these things for yourself.
Art:
Viking warriors by Christian Sloan Hall
Treudd by Ryan Murray
Animated god pole and ship by Christopher Steininger
View this post on InstagramA Treudd for @survivethejive #treudd
A post shared by 𝐑𝐘𝐀𝐍 𝐌𝐔𝐑𝐑𝐀𝐘 Illustration (@artofryanmurray) on
Map:
Sources:
https://www.academia.edu/1366943/The_Grave_as_a_Doorway_to_the_Other_World_Architectural_Religious_Symbolism_in_Iron_Age_Graves_in_Scandinaviahttp://www.arkeologiskasamfundet.se/csa/Dokument/Volumes/csa_vol_18_2010/csa_vol_18_2010_s223-250_magnell_iregren.pdf
http://www.isvroma.it/public/pecus/graslund.pdf
http://cogito.ucdc.ro/2012/vol4n2/en/13_the-four-eyed-dog.pdf
https://core.ac.uk/download/pdf/147825787.pdf
http://www.arkeologiskasamfundet.se/csa/Dokument/Volumes/csa_vol_18_2010/csa_vol_18_2010_s79-103_bradley_et-al.pdf
https://www.researchgate.net/figure/Ulan-IV-kurgan-4-grave-15-3D-wagon-reconstruction-created-using-Autodesk-3-ds-Max_fig7_271587800
Thursday, 30 April 2020
Odin and the Horned Spear-Dancer
Viking and Anglo-Saxon artwork often includes a man with bird shaped horns. This mysterious figure is known as the horned man or the weapon dancer. The motif shows up in various different contexts and over a huge geographic range and timeframe - from early Anglo-Saxon England to Viking age Russia. It is commonly associated with the cult of the Nordic god Odin or the Anglo-Saxon god Woden and with extraordinary shamanic rituals as I shall explain in this video.
Sources:
- Mortimer, Paul, 'What Colour a God's Eyes' (2018)
- Oehrl, Sigmund, 'Horned ship-guide – an unnoticed picture stone fragment from Stora Valle, Gotland' (2016)
- Oehrl, Sigmund, 'DOCUMENTING AND INTERPRETING THE PICTURE STONES OF GOTLAND' (2017)
Artwork
Friday, 10 April 2020
The Huntshaw dagger and barrows of Darracott moor
This blog post explains the significance of the barrows of Darracott moor in North Devon and the discovery in 1875 of a dagger in barrow number 2, dubbed the Huntshaw dagger, which was recreated by Neil Burridge in 2025.
In this video I explore the Bronze Age burial ground of Darracott moor in Huntshaw, Devon. The largest barrow has a road going straight over it. Another barrow contained a dagger which is in the museum in Exeter. Below I have included the original lecture notes regarding the two excavations of the 19th century.
| Date of Huntshaw barrow excavations mapped |
| Arial view of barrow 1 and 2 |
| Dissection of barrow and cist |
| Display cabinet at Museum of Barnstaple & North Devon |
| Information sign with details of Huntshaw barrows at Berry Castle |
| the Huntshaw dagger |
![]() |
| Replica of the Huntshaw dagger by Neil Burridge |












