Interview and painting of Survive the Jive by Rory Paints

 

 

This is a fun interview with me in a Celtic roundhouse while the interviewer, Rory, paints a humorous caricature of me. Watch to the end to see the hilarious art.

Middle Aged Werewolf: Paul Waggener

 

 

Fitness guru, life reform advocate and Heathen community leader Paul Waggener of the Wolves of Vinland joins me on JIVE TALK to discuss how to handle burnout, enduring hardship over time and staying true to your principles as you face the challenges of different stages of life. 

 

Paul's stuff is at OperationWerewolf.com

Ancient Germanic Swastika: Documentary

I have collected tons of archaeological to support my theory of what the fylfot really means. I hope you will agree with my conclusion and that you will find these artefacts and charming and intriguing as I do.

The swastika was used by ancient Germanic peoples such as the Goths, Anglo-Saxons and Vikings. But what did it mean? Some say it was a symbol of the sun, some think it was borrowed from the Romans. In this video I explain how the swastika aka fylfot was actually connected to the cult of the god Wotan aka Odin.

Sources

•  Behrens, F. 2023. Der Tierstil II im Merowingerreich. Berlin, Boston: De Gruyter. https://doi.org/10.1515/9783110981247 
• Behr, C., ‘Die Beizeichen auf den völkerwanderungszeitlichen Goldbrakteaten.’ Frankfurt a. M. [u.a.] (1991) 
• Burillo-Cuadrado, Ma & Burillo, Francisco. (2014). The swastika as representation of the sun of helios and mithras. Mediterranean Archaeology and Archaeometry. 14. 29-36. 
• Carus. P., “FYLFOT AND SWASTIKA” in The Open court (1887) 
• Cheesman. C., THE HERALDS’ SWASTIKA (2019) 
• Godfrey-Faussett, T.G., ‘The Saxon cemetery at Bifrons’ (Kent Archaeology 1876) 
• Haseloff, Eine ‘jütländische Fibelgruppe und ihre Verwandten’ in “Die germanische Tierornamentik der Völkerwanderungszeit” 1981 
• Hauck. K., Die Goldbrakteaten der Völkerwanderungszeit (1985) -Helm. R., ‘Germanischer Schmuck’ (1957) -MacLeod and Mees 'Runic Amulets and Magic Objects' (2006) 
• Pennick. N., ‘Woden’s Swastika’ in Journal of Geomancy vol. 3 no. 4, July 1979 
• Sansoni, U., ‘Alpine and Scandinavian rock art in the Bronze Age, a common cultural matrix in a web of continental influences’ In Picturing Bronze Age ( Swedish Rock Art Series: volume 3 2015)
• Renner-Volbach, D., ‘Die durchbrochenen Zierscheiben der Merowingerzeit’ Dorothee Renner. Rom.-German. Zentralmuseum zu Mainz, (1970) 
• Toreld. A., Andersson. T., hallristning Field report (2012) 
• Theune-Grosskopf, B., & Nedoma, R. (2008). Chairs in graves of the Migration and Merovingian period mirrored by a new find with rune inscription from Trossingen, Lkr. Tuttlingen. Archaologisches Korrespondenzblatt. 38. 423-436.